Poems Available Online

Individual Poems

from “Ore Choir: The Lava on Iceland”

from The Glacier’s Wake

Essays and Reviews

  • “Stanzas: Aracelis Girmay (On ‘Noche de Lluvia, San Salvador’).” The Sewanee Review Conglomerate.

  • “‘A CHANGE OF ANGELS’: On Materials, Metaphors, and Metamorphoses in Sarah J. Sloat’s Hotel Almighty” in Diagram 21.1

  • “Re-word the World: On Sonnet’s Shakespeare” for Public Books

  • “Refuge: A meditation on Ross Gay’s ‘Catalog of Unabashed Gratitude’” for the Indiana Humanities’ Next Indiana Campfires Blog.

  • “Negative Capability as Negative Space: On Vievee Francis’s ‘A Flight of Swiftlets Made Their

    Way In’” for the Keats Letters Project

  • “A Poetics of Tectonic Scale: The Great Distance Poem” in Poetry Northwest

  • “The Poem that Won’t Leave You Alone: Marianne Moore’s ‘An Octopus’” in At Length

  • “Two Griefs: A Review of Brittany Perham’s ‘Double Portrait’ poems” in 32 Poems

  • “Untamed Elegy: On Ellen Bryant Voigt’s Headwaters” in Kenyon Review Online

  • “Portals, Placentas, and the Corpus Entire: Three Takes on Ekphrasis” in Spoon River Poetry Review

  • “’Listen Now Again’: A Credo in Echoes” in Kenyon Review Online

  • “‘And Tune All Spheares At Once’: Turns and Returns in John Donne’s ‘Goodfriday, 1613. 

    Riding Westward’” in Voltage Poetry

Interviews

Readings and Lectures

Collaborations

  • Ore Choir at Never Records: A staged reading of selections of Ore Choir, featuring Thomas Heise, Jackie Orr, and Damian Didden. Part of Ted Riederer’s Never Records Project.

  • “Outside of the Air.” A digital postcard (with poem soundtrack) of my collaboration with choreographer Rebeca Pappas on Governor’s Island for the En Dehors Garde Digital Flashmob

  • Almanac for the Beyond (Tropic Editions, 2019). A collaboration with members of the Banff Research in Culture’s Beyond Anthropocene residency.

  • Passage, A New World. A film + erasure poetry collaboration with Ted Riederer

  • “Continuously Festive.” A performance with Jason Treuting of So Percussion and graphic designer Danielle Aubert for which I erased an interview with Lou Harrison into a script for four voices.